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January 26, 2012, 10:21:53 AM by MetalMusicMan in Creativity
I really love this poem, great stuff from JonahTheFish.

Quote
Should God exist, in final days,

when Earth at last rolls to a stop

trembles, ancient and tattered, stays

and all the graves are lifted up,

then I will come before your God

and, eyes without a blink, will stand.

My gaze will burn through his facade,

and He will shake in fear of Man.

And if he dares to damn the souls

of those without the faith he needs

without regard for lives so full

of light, I call it jealousy.

Then when the blinded grip of Fate

claws at my back, I will not go,

but glare into the very face

of God, and I will whisper, “No.”

“For who are You, that You judge me?

The Slaughterer of untouched youth,

the source of serpent, apple, greed—

all evil oozes from your wounds!”

“And who am I, that I should lie

stricken and mute before You? No!

I name you tyrant, genocide!

Into the jaws of Hell you go!”

So on that fabled final day,

I will not kneel before your Lord,

but speak my mind and have my say

and leave under my own accord.

Then with a sigh, He will collapse,

return to dust, and float away.

For robbed at last of thunderclaps,

your god will have no words to say.


http://i.imgur.com/qCGrA.jpg


November 26, 2011, 12:19:02 PM by MetalMusicMan in Creativity
I made a shoutbox post about this recently, but it really deserves full attention.  They take game screenshots and make artistic prints with them.  Needless to say, Skyrim has made their job easier than ever before, but they have a lot of various games and the prints/wallpapers they have are often stunning.  Check out Dead End Thrills!

Quote from: About Dead End Thrills
There is no discrimination here. Art is art, whether it’s in Half-Life 2 or Transformers: War For Cybertron. Not all games give it up easily, though.

I don't know about you, but Paarthurnax is one of my favorite characters in TES history!
http://farm7.staticflickr.com/6055/6372931837_b1265a05af_o.jpg


Portal 2 showing off how pretty it really is
http://farm7.static.flickr.com/6091/6307211189_4658c4ebb5_o.jpg
http://farm7.static.flickr.com/6116/6302230937_8ae4a73f2a_o.jpg




July 19, 2010, 12:35:10 PM by MetalMusicMan in Creativity
This is kind of a fun little poem/video.  Azrienoch normally does pretty good stuff, he's the author of the Cult of Brand video that I posted a while back.

Minimalism - Kinetic Typography Poem


July 16, 2010, 03:01:43 AM by WarKirby in Creativity
Alright, I've been hesitating on this for quite a while but damnit the right sidebar is MINE! And I'm tired of not having anything posted in the "short stories" section. Without further ado:

Goodnight, Sweetheart

     The room is dark. A single light shines from the wall, illuminating me in the darkness. The voice in the room, though I cannot see the source, keeps asking questions. He grows tired with me, I can tell. We’ve been at this for hours, and I don’t have any more answers for him. He asks again.
     “Tell me,” he pulls a chair up to the table. “What do you know about Jim Mason?”
     He beat my wife to death with a crowbar.
     “Why?”
     Why? Is that even the right question? He’s asking like I have all the answers. I haven’t seen Jim since we were kids. I never liked him much even then. I couldn’t even begin to understand him.
     “Ok, let’s try this another way,” he sits down at the tablet and leans towards me. “What do you know about Anna Summers’s death?”
     Bingo.
     That’s why the police need me. I’m at some fulcrum of understanding here, between him and Anna. Everything is this intricate machine: pieces operating independently, twirling on their own with no purpose. I’m the key though. I give it purpose. Without me, the twirling pieces would shift and fall, creating chaos. I’m the regulator. I’m the integral piece in the machine—what keeps it functioning. It’s been through so much, but my piece must keep its role. Without me, they’ll never understand the machine. Without me, they’ll never find him.
     The detective looks at me from across the table. The room is cold, and the metal chair I’m sitting is starting to hurt. He hands me a cup of coffee, to ease the nerves he says. I laugh—coffee, the great medicine. I drink it to humor him.
     “Anna used to make the best breakfasts,” I say, sipping the coffee. “She really did.”
     He doesn’t care. Those details don’t get him any closer to finding her killer. I tell him anyway. Those little details are what keep her here with me. Without them, she’s lost.
     I should have protected her. I should have known Jim would find us.
     “George,” he leans over the table. “We need to focus here.” I can tell he’s getting tired of my rambling. I remember so much, but none of it matters to him.
     “Let’s go over it again,” he says. “What’s the last thing you remember?”
   That’s a good question.

     The alarm clock barely woke me up when it went off at 6:30. It hardly ever did. We had these two gorgeous trees planted out front, by our bedroom windows. In the summer they got all leafy and you could barely see the sun in the morning. It made it hard waking up sometimes, especially that morning. The thing that really woke me up come to think of it was that cold shower.
     Damnit
     I had fixed that damn water heater so many times. The cold needles of water pelted my back, as I braced against change in temperature. It was weird though, almost like it energized me. The shock of the cold water woke me up better than any alarm clock ever had. In some odd way, it was enjoyable. There, on that particular morning, I showered in cold water and didn’t hurry to finish.
     Focus George.
     When I stepped out of the shower, Anna was there by the sink getting ready like she always was. She had all these things of makeup spread across the counter. Cords from her hair-straightener and blow dryer were draped across the counter. Water had been sprinkled over the sink from washing her face. That was her routine in the morning—haphazard as always. I swear she was inches from electrocuting herself sometimes. She was always that messy, or at least that’s how I saw it. Anna always said she was organized, just differently than me.
    Morning honey, she called to me.  She was pushing her hair to the right. She never wore it on the right.
     I smiled at her, and used my towel to wipe the water off the counter.
    Honey, I’ll get that.
     I was persistent, I can’t ignore that. I was always cleaning up behind her. It drove her crazy; made her feel like she just caused me problems. That’s not how it was. She didn’t understand damnit.
     She always took longer than me to get ready in the morning. I had time to spare. I told her I didn’t mind, and that I would take care of it. She just smiled and blew me a kiss.
   If only I had known.
     Focus George
     Blue, definitely blue—my favorite.
    Really honey? I’ve always liked your yellow shirt.
     She bought me that yellow shirt for my birthday last year, of course she liked it. I tore the price tag off of it before I took it out of the closet so she couldn’t see. The shirt made me think of her, that’s why I took off my blue shirt and changed into it. Besides, I couldn’t go to work with stains on my favorite shirt.
     I pulled up to my office building that morning, full from the breakfast Anna made me. I got out of the car and saw Bill working on the sign outside. Bill was always working. His overalls were stained with grease and dirt and he was always up on a ladder or something. Really good guy you know? Honest, hard working. Never gives you any trouble or anything, always quiet and respectful. I usually stopped by to talk to him in the mornings, never had much to say though. Terribly nice guy. I really think they underpaid him there. I said hi as I walked by, and nodded at him from under the ladder. It was weird though. Before I got inside, he stopped me and asked for his crowbar back—
     “His crowbar?” the detective repeated.
     —yeah. I had borrowed it the night before when I left the office. Bill had this really nice crowbar; it was big and heavy, really more of a wrecking-bar. I had some work to do around the house, and I figured it would be easier than spending thirty or forty bucks on one and the hardware store. Thing was though, I had just borrowed it the night before and Bill was acting like I’d had it for a week. It’s been long enough, he said. I’d like it back now. He must have been just playing a trick. He kept pushing me, saying how I’d had it long enough. He was probably just messing with me. I laughed it off and told him to not to work too hard. He gave me this weird look though as I went in the building. Bill’s a weird guy. Not someone you’d trust to tell you the truth if there’s a joke to be had.
     Alan kept bugging me at my desk around lunch. Alan’s probably my best friend. We’ve worked together forever, even when we both worked at the other place off Grand-Central parkway. We had this thing everyday where we would go to lunch at this one diner on the outskirts of the city. I mean every day we went to this place. Alan, he liked to change things up on the menu sometimes. You known, one day he’d order the chili and the next he’d order the ham and cheese, who does that? Who goes to the same place every day and orders different things all the time?
     That day though, I was still full from Anna’s breakfast. Man she made the best breakfasts. Seriously, that stuff would keep you full all day.
     Come on man. Alan took the news pretty hard. It was a ritual after all, and neither of us had ever backed out before.
     Anna made me this enormous breakfast this morning Alan, you should have seen it. I mean, it was huge.
    Well, I didn’t eat breakfast.
     I’m really sorry man. It’s only one Friday though. Go on without me though. Hey, you should order my meal, the one I get every time. It’d be funny you know? Like I was there when I wasn’t. I bet the cooks would think it was me unless they saw you first.
     Forget it man, I’m not ordering that nasty bean soup. If you want me to order it then you’ll have to come and get it yourself.
     That Alan, I never really liked him much.

     I remembered that Anna asked me to stop by the hardware store on my way home. She said we had these spots on the bedroom ceiling that needed to be painted over. She had been telling me this for a while—weeks, months maybe.  I didn’t even notice until this morning though. She had been going on and on forever about those spots, but I never saw them till now. She used to try to get me to bend and see them in a different light, but I never did. I didn’t really see them until this morning. This morning though, it’s like they were plain as day just speckled there on the ceiling. They looked horrible too. Our ceiling was this pristine white with no texture or anything. I hated them. They gave me headaches looking at them. I asked Anna if she had caused them. She couldn’t hear me. Funny how stuff like that can one moment feel like it’s all in your head and then just suddenly be there. I didn’t notice them until this morning though. They weren’t there before, not really. Anyways, we needed a half gallon of white paint, now that I could see them and all. I didn’t want them there now that I saw them.

     The detective is holding his hand up to his head. I’ve told him a lot, but it’s not very much. I want to help, but I’m not telling him the right things I guess. Still, I’m the only hope they have of nailing this guy. Jim is good at hiding, always has been. They’re really not going to find him unless they take my help.
     “George,” he says. “Can we get you something to eat? I know it’s been a while.”
     “I’m starving actually,” I haven’t eaten in hours. “I didn’t have anything to eat today before I left for work. I ran out of time.”
     He looks at me with a puzzled look, and I don’t know why. This guy is kind of weird anyways.
     “Anna didn’t get a chance to make breakfast like she always does,” I say, rubbing my stomach. “Its shame really, but sometimes things get in the way of breakfast. Damn spots on my favorite blue shirt.”
     Someone buzzes at the door and the detective gets up to talk to them. They whisper quietly so I can’t hear them. It’s a good idea too, Jim might be listening. You never can tell with him. The detective sits back down at the table.
     “George, let’s try this another way,” he shuffles through a series of photos and lays few out on the table for me to see. Damn spots. I hate them. I hate seeing Anna like that too. She never parts her hair to the right. I’ll do what I can to help though—for her.
     “George,” he says again. “Why did you kill Anna?”
     Bingo.

     Ms. Kuntz second grade classroom was the forth door on the left down the art hallway of Briarwood Elementary. A banner hung over Ms. Kuntz’s colorful door, displaying her name in big bold letters. Alongside it, paper apples had been cut out and colored by the students in her class, each with a student’s name on it. The main hallway in the school was normally busy with classes and noisy with the kid’s activity, but it was quiet now. Students would be lining up outside their doors getting ready to go outside or to the art room or somewhere. It was four-o-clock though and Ms. Kuntz’s class, along with the rest of the school, had been dismissed for an hour.
     Inside her room though, a few people lingered behind. A child sat in a desk in the corner of the room. He looked down at his desk, drawing an invisible picture with his finger. Ms. Kuntz sat at her desk, talking in a low tone to two adults.
     “What does this mean though?” the woman said. “Why is he in trouble?”
     “Mrs. Summers,” Ms. Kuntz folded her hands on her desk. “Johnny, one of his classmates, was attacked during recess.” She glanced over at the child sitting in the corner. “We found him at the far end of the playground five minutes after the kids had come back in. He was crying and had small cuts and bruises on his face when the recess aid got to him.”
     The woman cupped her hand over her mouth and let out a soft gasp.
     “We know George was outside near the edge of the playground during recess,” Ms. Kuntz continued. “That’s where he goes every day. Usually kids don’t want play with him over there.”
     “But how do you know George had anything to do with it?” the man interjected. “For all you know it could have been another kid, or anyone in the neighborhood around here for god’s sake.”
     The man nearly rose out of his chair as he spoke. The woman placed her hand on his knee and he eased back into his chair.
     “What did George have to say about this?” the woman asked.
     The child was now coloring in his picture on the desk with his finger. He made short repeated strokes vigorously.
     “I talked to George myself after we found Johnny,” Ms. Kuntz shifted in her seat. “I asked him what had happened. He said ‘Johnny got hurt.’ I asked him why, he said he didn’t know. I asked him who had hurt Johnny on the playground today, he said ‘Jim.’ I asked him who Jim was, but he wouldn’t say anything else.”
     “We’ll there you go,” the man said, looking back at his child in the desk. “He told you who did it. It wasn’t him.”
     Ms. Kuntz sighed and looked at George sitting in the desk, keeping his head down. “Before recess today,” she opened her desk drawer. “The class took a small quiz on a reading assignment from last night. They were allowed to leave for recess once they had finished. When I was grading them during recess, I noticed that George had forgotten to put his name on his test. His writing is so loopy and nice you know, I knew it was his. I caught him before class and asked him to put his name on it so he wouldn’t lose any points.”
     Ms. Kuntz held the paper in her hand for a moment.
     “Look at the name he marked,” she turned the paper around facing the parents. The writing on the quiz was unmistakably George’s—as Ms. Kuntz would say, loopy and nice; but an unfamiliar scribbling at the top of the page read Jim Mason.
     The parents turned back to look at their child. He had stopped rubbing his fingers on the desk, and was now calmly looking out the window into the school yard. He turned with a smile and folded his arms onto the desk, looking back at the adults sitting on the other side of the room. At that moment though, no one was exactly sure who was looking back at them.



June 30, 2010, 07:40:00 AM by WarKirby in Creativity
In this world, what is for sure?
it’s all not enough, but it has to do
as day fades to night
I find it easier to just get by
to rewind

Winding down, it all makes sense
I needed you more than I wanted to
and everything just went on like it does
this could’ve been simpler, simpler I swear
but all that’s left is the cold, hollow air

Tomorrow I’ll know, what yesterday was
and that’s just a shame
I'll contemplate
before I fold my hands in and just look away
I’m still the same

What is this day that you call night,
and how long has it been out of my sight?
now that we’re through
how’s everything with you,
because what I’ve found comes easier with time
please rewind

Follow me, to the end of today
and I’ll show you the ways that my mind breaks
my hand guides us astray
but we’ll never go there again
not today

Fill me in, and draw my hands
they’re what I need, you won’t understand
too much I know, but I don’t want any more
how many days into night?
days slip away, and I can’t cope
please don’t go
I could’ve found a way to make it clear
I was never there
past take me away one more time
please go far away, before I make up my mind
don’t rewind

Sand pours into my hands
it scrapes and it burns and it cuts and it tears
it means everything to me
and nothing to you
I hold it close, but it falls right through
I’m always like this; I’m just a mess
but truth be told, I just always regress
because my days always turn into nights,
and it won’t be long again until I find
what I’ve learned every single time:
I don’t wanna rewind


June 28, 2010, 10:09:36 PM by WarKirby in Creativity
Welcome to the show, how may I perform the best I can?
Here we go, the curtains low and the dance is all there is
So sit on down, and watch this clown fall over and over again

Cut my strings and let me fall
Onto this stage of broken-glass debris
Punch your ticket as you leave
And I’ll be happy no longer even being me

I’ll make you laugh, if that’s your wish
But please forget that we’ve even met
Because what tore inside is now my pet
Growling softly behind its cage of sinew, bone and flesh

Hide it all behind a smile,
Everything’s a joke, and everyone laughs
The only joke is this circus;
Because it’s a record caught spinning on the same fucking track

Show me how to rub off this paint
That stains my cheeks, my lips, my face
Teach me how to see someone else inside this mirror
Teach me something, anything new
Cause every day, it’s all the same
And the person I see isn’t me

These lines drawn down his face tell the stories of scars not mine
And no one is left to explain: No fate but what we make

I could put this world aside, and just exist for all time
Never stopping for anyone else,
The Automatic Empire of Mine
Hold on for everyone else and exhale dust into the air
My eyes are clear and what I want is nothing,
And nothing every year




February 16, 2010, 02:35:39 AM by WarKirby in Creativity
Lately you’ve been on my mind
and its funny after all this time,
that I still feel us neck and neck
when it was so long ago I left.

I tried to go to someplace new
but the words foreign and untrue.
Nowadays, I don't feel certain
that life's been better since my desertion.

When I feel, I feel so drained,
and disconnected from our pain:
a pain that felt a million ways
and reminds me of how we’ve gone astray.

But tonight I can feel you there
and it’s so goddamn unfair,
to still feel so far away.

I fear something has been taken from me,
twice separated and beaten from me.
I reach out my hand, and feel for something
grasping air, and getting nothing.

Don’t go away, don’t pull away,
I’ll come back to us some day.
These bullshit rhymes are all I’ve got
to remember you, and what we're not.

I still remember what we were
but most of it is such a blur:
You’re like a disease that makes me smile
and I’m the pen, for your own style.
Right?

From what we were, to what we’re now
I’ve tried to honor you somehow.
Is this, to you, an accurate depiction?
Cause all I can write nowadays is fiction.

Give me more time, and I’ll come back to you.


December 15, 2009, 12:05:32 AM by WarKirby in Creativity
I guess I should credit Lorrie Moore for the form and direction of this piece, otherwise it's all original.


http://www.metalmusicman.com/files/pictures/writer.jpg

First, be a horrible writer

     You have to start somewhere. Early on, you will struggle through writing. It’s not enough for your writing to be mediocre. You have to embody bad writing. In elementary school, struggle with basic sentence structure. Verbs and Nouns have no meaning to you. You know a sentence when you see one, but you would be hard pressed to construct a complex one on your own. You mother will continually stay up with you the night before a piece is due throughout your early school career, worrying if her son will ever be able to put two coherent thoughts together. Spelling is a must; bad spelling that is. You will start to write a children’s book series, but will only get the cover and first page done. You will have the first three books of “The Bean Brothers,” but won’t actually have anything written.

     You won’t know how to spell anything without doing it in an embarrassingly phonetic way. All your dedications will be deadikated to your family, and jaguars will run with other jagwires. Words you can’t phonetically spell right will be a mixed up jumble of most the right letters. Later in life you will fake the fact that you have gotten over this by a series of embarrassing memories of particular words, and the assistance of spell check. All of this will make you dislike sharing the things you write, but will never stop you from exploring your creativity. Also, later in life you will take an important sense of irony from this particular beginning.


Nothing special,

     Join a gifted program that transfers you outside of your “normal” district. You won’t really think you’re better than anyone, but most others in the program will. Read stories all the kids two years older than you are, and not really understand them. Your two best writing ideas come from stealing the character Hobbes in Calvin and Hobbes and ripping off an episode of The Twilight Zone. Both your teachers will be impressed by your creativity. Do feel bad about this. Later on you will tell a poetry-enthusiast teacher that you write poetry at home. In your closet you will probably have a notebook with a single poem in it.

     This is where you will start to look at writing as something of interest. You begin to see some sort of spark of promise. Continue to struggle with editing. Work the hardest on a paper for English you ever have, and get yelled at for plagiarism. You won’t even know what that word means (let alone be able to spell it); but you will feel horrible about writing and that teacher for a short while. This teacher will cause you to quit the gifted program. You will feel it’s for the best.
Never forget what plagiarism is.


Then, progress

     In middle school, you will finally get the hang of the whole sentence structure thing (even though you won’t be able to tell a gerund from a preposition). English classes will be short on teachers, so yours will be taught by the librarian. She has you read stories that you read during the “special” program you were in and quit. You will have a superior feeling from the rest of the class, because you are doing things you have already done, and you will be doing them well. You’ll write papers on topics you have already covered before and do book reports on books you have already read. Improve your vocabulary in writing; learn a few words (among them deter) that you will continue to use on a regular basis. Your spelling will still be horable.


A burgeoning writer

     Freshman year in high school you will opt out of “Honors English” based on the idea that your class schedule is too much. As a direct result you will spend the entire year studying stories you have, once again, already read and going over grammar and sentence structure. Ifistory can be used to speculate whether this had a positive or negative effect on your writing, but there is no way to know. Get a “C” on the final, and write it off as a mistake by the teacher because you are convinced you are a master at English.

     Your sophomore year will be a pivotal point in your writing career. Your teacher will have a lasting effect on your skill and development. In class you will read “The Catcher in the Rye” and you will have a sudden urge to write. About this same time, you will begin a crush on a girl you will have for the next two years. Luckily your class is starting a poetry unit, so the poems you have already written about her won’t seem so out of place. You will write more and more poetry about your feelings, and develop your creative writing skills. Use big words that don’t have any specific meaning, and generalized images to impress people. You may be the first person in your class to understand that poetry doesn’t have to rhyme.

     Your teacher junior year will dock you points for not being able to locate your own thesis in your analysis paper. From there on out, you will make sure to have more concrete thoughts. The same teacher will take the class outside to write poetry in the woods. One snowy day, you convince the teacher to go out and write with only a handful of students. You sit in the woods and look around, unable to take your attention off the falling snow. It is poetry to you, and you will be at a loss for words. Sometimes, there are no words. You will remember this.

     The final year in high school, your work will really start to exhibit the signs of good writing. Your crush is still beating strong, and your poems still show it.

     It is necessary to feel the emotions everyone at that age does, so that you can write poetry about feelings that you think are solely yours.
Many of the girls in your class will write about “love” in the poetry unit. This will disgust you, and will cause you to title your own portfolio “Love?” You will write poems about an apple being devoured on the inside by a hideous beast and prose about a girl falling in love with each successive guy who passes her in the classroom. When you read your “Apple” poem out loud in class, everyone will wonder why the hell you titled it “Love?” You will develop a cynical nature about many things, and become increasingly aggravated with people and their illusions. Decide that writing against the grain is important. Defy the illusions. Curiously, this will be when you start to recognize the illusion of your own obsessive crush. The crush will linger and then fade, but your poetry will start referencing vague ideas of a “drug” before moving on to more introspective poetry. Write a poem about a man who is always running away towards safety. Decide that poetry is a wonderful outlet for emotions and feelings. Perfect your uninhibited-voice writing.

     One day in the computer lab, when you are given 50 minute to write your essay for a test, you will spend the first 20-30 minutes joking around with your friend, turning his monitor on and off. It is only in the last 20 minutes that you will start writing, in which you will get a better grade than most of the other students. You become increasingly narcissistic as a result of whatever talent you have, and many of your friends will notice.  


The Transition

     Enter college with the desire to major in zoology. Perform well on all of your written exams, and do poorly on the multiple-choice. Later realize that Zoology is not a field where writing is necessarily useful or practical. Resent that. You switch majors and find a way to incorporate writing into it. You pick journalism for its writing heavy concentration, only to find that journalism writing is not really your cup of tea. Generate a lot of emotional poetry. Refine your poetry skills. Write less about emotion.  Write poems from various points of view, one about someone who is suicidal. Inadvertently scare your dorm-mates into thinking you are suicidal. Try to find a way to explain that writing doesn’t necessarily represent the author.

     Write poetry that does represent you. People are less interested.

     Post everything you have written online. Use facebook and your brother’s website. Get a decent amount of feedback from the latter, not so much from the former. Decide that online feedback merely feeds your ego, and is not much help. Continue to post it online.

     Revise some short-stories from high school, but give up from writer’s block. Become distanced from writing, as you have no new creative outlets.
Your first writing assignment in a college writing class is about personal experiences. Get frustrated at teachers who like “bleeding heart” stories. Refuse to share personal details with a bunch of strangers, and write something general. Roll your eyes when people share traumatic life experiences in class so easily. Decide people probably make a lot up. 6 months later, write a reflection piece on the topic of death that you will consider one of the best you’ve done. Learn that introspection and personal writing work better as supplemental material to a main idea.

     In your second year, take your first creative writing course, and have your interest rekindled. Convince yourself that you want to be a poet because that’s what you know how to write. Convince yourself that fiction writing is not your thing, and poetry is the much more sensible path for you.
Start assembling a piece entitled “Why We Write,” in which you gather various authors’ explicit reasons for why they write.
 
Because before there were no words
To drag into the light that which eats at me
Because I was the sole possessor of these 3 stories
Because it’s what I know


Desperately try to find a reason why you write.
Come up with very little.
Persevere.

     Then take a class on fiction writing. Have what little interest you had in fiction writing explode in a new outlet for your writing. Dive deep into your desire to write fiction. Read Steven King. Only understand part of what he talks about. Think of it as a bible, and tell yourself you’re going to go back to it as a reference.

     Increase the amount of books you read in hopes to discover what it is that makes good writing. Secretly hope that you have not lost out by having nothing accomplished thus far. Have a burning desire to show people that you can be a successful writer, but have very little to show, show them nothing. Write your first real story, followed by your first completed story.

     Write a reflective piece about how you became the writer you are at this point in your life and come up with very little. Decide that what you had to say wasn’t all that important. End the paper early than you had planned. Hope that writing works out. Hope that you have the time and drive to make this work.

     When you don’t have time to write, think about writing.

     Just keep writing.